British Museum blog

Excavating a chamber tomb

Carina Summerfield-Hill, physical anthropologist

Rami Mohamed Abdu and Abou Ad Abu Taher excavating through the roof of the western chamber

I’m one of three physical anthropologists working in Cemetery C at Amara West, and in recent days I’ve been working on a chamber tomb (Grave 234) – the largest and most exciting of grave types here.
Rami Mohamed Abdu lifting the beer jar from the shaft of grave 234

The tomb consists of a central shaft with an underground eastern and western chamber. We started excavating down into the central shaft to expose the doorway to each chamber. The sand in the shaft contained a complete Egyptian-style beer jar.

Since then, we have focused on excavating the western chamber.

The safest way to excavate it was to dig down from above, through the chamber’s roof, otherwise the fragile but heavy layers of alluvium could collapse on us. Once the chamber was exposed, we removed windblown sand which had accumulated inside.

It contains three articulated burials and a concentration of disarticulated bone that included four complete skulls.

Carina Summerfield-Hill excavating the Nubian style crouched burial

So far I have excavated one of the articulated burials towards the centre of the chamber, the feet of which poked out into the shaft.

The entire burial was within the remains of a wooden casing, and was of an adult female, fully articulated in a crouch position – this was a really pleasing discovery as it is a local Nubian tradition of burial, as opposed to the Egyptian tradition of laying the body out in an extended burial position. This is the first Nubian burial type to be found in Cemetery C!

Western chamber of Grave 234 with three articulated burials and concentration of disarticulated human remains (under cover to the right)

The western chamber also contains two further articulated burials that are extended – It is fascinating to see two different traditions in the same grave.

Over the coming days I shall be excavating these two extended burials along with the concentration of disarticulated bones, so there is a lot of work still to do.

And next we have the eastern chamber, where we have just begun removing the surface to get access.

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In this second watercolour from the ‘Flower Book’ of Pre-Raphaelite artist Edward Burne-Jones, we can see the goddess Venus walking through the night’s sky with doves. This painting is titled ‘Rose of heaven’ – a name given to the plant campion, a small pink flower. Burne-Jones took inspiration from the name of the flower and its connotations, rather than what the flower actually looks like. The depiction of Venus seems to be heavily influenced by Botticelli’s ‘Birth of Venus’, with flowing blonde hair and a dynamic pose.
#EdwardBurneJones #BurneJones #PreRaphaelite #flowers To mark the birthday of Pre-Raphaelite artist Edward Burne-Jones (1833–1898) this week, we’re featuring paintings from his ‘Flower Book’ – a sketchbook full of watercolours and drawings that contained fantasy artworks inspired by the names of flowers. This painting is titled ‘Love in a tangle’ – a name sometimes used for the climbing plant clematis. The scene suggests the story of Ariadne, who gave Greek hero Theseus a ball of golden thread to unwind as he wandered through the labyrinth in search of the minotaur (a mythological creature – half-man and half-bull). Here she waits anxiously for her lover to follow the thread back out of the maze. The clematis and its maze of tangled foliage inspired Burne-Jones to represent this story from ancient Greek mythology in his Flower Book.
#EdwardBurneJones #BurneJones #PreRaphaelite #flowers #mythology Here’s a #regram from @mrapachekat. Doesn’t this lion look majestic? The Museum’s Montague Place entrance is just as grand as the more-visited Main entrance on Great Russell Street. This part of the Museum contains the King Edward VII galleries, and the foundation stone was laid by the King in 1907. This side of the building was designed in the Roman style rather than the Greek Revival of Great Russell Street. It features numerous imperial references, including the coat of arms above the door, and sculptures of lions’ heads and crowns. The architect Sir John James Burnet was knighted for his work designing these galleries, and the building was opened by King George V and Queen Mary in 1914 (Edward VII had died in 1910). #regram #repost #architecture #BritishMuseum #lion Another brilliant photo of the Museum’s Main entrance on Great Russell Street – this time by @violenceor. The perspective gives a good sense of the huge scale of the columns. The Museum has two rows of columns at the main entrance, with each being around 14 metres tall and 1.5 metres wide. Designer Sir Robert Smirke used 44 columns along the front elevation. This design of putting columns in front of an entrance is called a ‘portico’, and was used extensively in ancient Greek and Roman buildings. #regram #repost #architecture #neoclassical #BritishMuseum The Museum looks spectacular with a blue sky overhead – especially in this great shot by @whatrajwants. You can see the beautiful gold flashes shining in the sun. This triangular area above the columns is called a ‘pediment’, and was a common feature in ancient Greek architecture. The copying of classical designs was fashionable during the late 18th and early 19th centuries, and was known as the Greek Revival. The sculptures in the pediment were designed in 1847 by Sir Richard Westmacott and installed in 1851. The pediment originally had a bright blue background, with the statues painted white. #regram #repost #architecture #neoclassical #sculpture #gold #BritishMuseum Concluding our short series of gold objects from the Museum’s collection is this group of items found in the Fishpool hoard. The hoard was buried in Nottinghamshire sometime during the War of the Roses (1455–1485), and contains some outstanding pieces of jewellery. 1,237 objects were found in this hoard in total. At the time it was deposited, its value would have been around £400, which is around £300,000 in today’s money! The variety of this collection of objects includes brilliant examples of fine craftsmanship. The turquoise ring in the centre was highly valued as it was believed that turquoise would protect the wearer from poisoning, drowning or falling off a horse.
#hoard #gold #jewellery #turquoise #treasure
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