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Neal Spencer, British Museum

Surveying newly discovered graves in the post-New Kingdom cemetery

Following months of planning, preparation and travel it is always a relief to start work – but also rather unusual in that the initial days of excavation are very different from later in the season.

In the town, we must first remove deep layers of sand that have accumulated in the houses we partly excavated last year. There are no finds or pottery in these deposits so there is little recording and a fair bit of waiting before we reach real archaeology.

Clay floor revealed in the middle room of a small Ramesside house, about 1150BC

In two of the small houses, we are already down on earlier clean clay floors, with the remnants of a cooking hearth in the middle room of each house. It is likely that further occupation phases lie beneath.

A trench inside the southwestern corner of the wall is proving a little frustrating. Here, the buildings have been badly damaged by digging for clay, so there are deep pits filled with clean sand.

Looking for the southwestern town beneath thick layers of sand

Only a few fragments of walls have appeared so far, despite over 20 men and six wheelbarrows working seven hours a day to remove the sand! Sandbags are needed to keep up the trench sides.

In cemetery C, the team has revealed a number of small graves with niches for burials, but thus far all have been robbed, with only jumbled skeletal remains and fragments of pottery remaining. The robbers missed one nice object in Grave 220 – a faience scaraboid with a representation of Thoth as a baboon in place of the usual beetle form.

Faience scaraboid (F9312) with representation of Thoth, from Grave 221.

Another reason that the start of the season is unusual is that the daily rhythm has yet to crystalise – many of us are still setting up systems for later in the season (including a new electricity supply!), ordering and obtaining equipment from the town of Abri, while also trying to integrate new workmen into our digging system – we’ve hired 38 men this season.

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This great photo by @comertcomi shows one of ancient Egypt’s most highly respected animals. Cats were associated with the goddess Bastet and she is often represented as a domestic cat. This statue is a particularly fine example, with gold rings and silver decoration. The collar also contains a silver wedjat-eye and sun-disk which are protective symbols. It also has a scarab on its head – scarabs were associated with rebirth in ancient Egypt. The eyes were perhaps originally inlaid with glass or stones. 
Share your photos with us using #myBritishMuseum
#AncientEgypt #Sculpture #Statue #Cat #Egypt #🐱 #catsofinstagram #regram #repost This week we’re focusing on Egyptian statues and sculpture at the Museum. This great shot by @sisterofpopculture shows the majestic statue of Ramesses II. Made of pink and grey granite, the sculptor has skilfully used the natural colours in the stone to suggest the difference between the face and body. 
This colossal statue was originally part of a pair that stood outside the Ramesseum (the pharaoh’s huge memorial temple). He is also known as ‘Ramesses the Great’ – he ruled for 66 years and his influence reached to the furthest corners of the realm. 
Share your photos with us using #myBritishMuseum
#AncientEgypt #Sculpture #Statue #Pharaoh #Egypt #regram Opening in March 2017, our #AmericanDream exhibition presents the Museum’s outstanding collection of modern and contemporary American prints for the first time. These will be shown with important works from museums and private collections around the world.

From Andy Warhol, Jasper Johns and Robert Rauschenberg to Ed Ruscha, Kara Walker and Julie Mehretu – all boldly experimented with printmaking.  With over 200 works by almost 70 artists, trace the creative momentum of a superpower across six decades. Click the link in our bio to book your tickets now! 
Edward Ruscha (b. 1937), Made in California. Colour lithograph, 1971. © Ed Ruscha. Reproduced by permission of the artist.
#print #printmaking #art #🇺🇸 Taking inspiration from the world around them – billboard advertising, politics, Hollywood, and household objects – American artists created highly original prints to rival their paintings and sculptures. #Printmaking brought their work to a much wider and more diverse audience.

Many of these works also address the deep divisions in society that continue to resonate with us today. This screenprint by Andy Warhol was commissioned by the Democratic Party for the 1972 presidential campaign. Instead of portraying the Democratic candidate McGovern, Warhol chose to represent his opponent Richard Nixon. He appropriated the image from the cover of Newsweek magazine, using the colours from Nixon's wife's outfit for his face, creating a demonic look.

See this new acquisition by the Museum, and many other extraordinary works in our #AmericanDream exhibition, opening March 2017. Click the link in our bio for more info.

Andy Warhol (1928-1987), Vote McGovern. Screenprint, 1972. © 2016 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London.
#art #Warhol #AndyWarhol #🇺🇸 #print #Democrats #politics America. Land of the free. Home of the brave...
We are delighted to announce our #AmericanDream exhibition – opening in March 2017!

The past six decades have been among the most dynamic and turbulent in US history, from JFK’s assassination, Apollo 11 and Vietnam to the AIDS crisis, racism and gender politics. Responding to the changing times, American artists produced prints unprecedented in their scale and ambition. 
Experience this extraordinary history in ‘The American Dream: pop to the present’. This major new exhibition is sponsored by Morgan Stanley and supported by the Terra Foundation for American art. Click the link in our bio to book your tickets now.

Jasper Johns (b. 1930), Flags I. Screenprint, 1973. Collection of Johanna and Leslie Garfield. © Jasper Johns/VAGA, New York/DACS, London 2016. © Tom Powel Imaging.
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This incredible Art Car is part of our #SouthAfricanArt exhibition, which opens on 27 October 2016. Book your tickets now at 
Esther Mahlangu (b. 1935), BMW Art Car 12, 1991. © Esther Mahlangu. Photo © BMW Group Archives.
#SouthAfrica #BlackHistoryMonth #BMW #🇿🇦 #art
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