Iszi talks to Nick Ashton about recent fieldwork on the coast of East Anglia that has pushed back the evidence of humans in Northern Europe to almost a million years ago.

For two weeks this April, the British Museum will become a stage for music, with performances taking inspiration from around the world.

Curator Naomi Speakman explores the fantastical world of medieval bestiaries and the mythical creatures found within.

Dora Thornton, Curator of Renaissance Collections, details how Queen Elizabeth I used her portrait to manipulate her public and private image.

Artist Bern O’Donoghue explains the moving story behind her work Dead Reckoning ahead of its installation in the Museum as part of Refugee Week 2017.

Julia Farley, Curator of British and European Iron Age Collections, joins Iszi Lawrence to examine the early years of the Roman conquest, when allegiances were shifting rapidly. Highlighting extraordinary objects and fascinating characters, Julia and Iszi’s discussion brings the period to life.

The project to conserve Dürer’s Triumphal Arch reaches the next stage. Sam Taylor takes technical photographs of the sheets discovering long-hidden details in the handmade paper, delicately unpicks old glue and gives the work a bath.

In the next part of our blog series on the project to conserve Dürer’s Triumphal Arch, Agnieszka Depta begins the delicate process of removing the print’s fragile linen backing and separating the work into its original 38 sheets.

Curator Julia Farley explores the fashion world of 2,000 years ago and answers that eternal question: how should you wear a torc? 

Whilst carrying out a student placement Lauren Buttle, a candidate for a Masters of Art Conservation at Queen’s University in Ontario, Canada, was involved in the first stage of the conservation process of Albrect Dürer’s Triumphal Arch, assisting in cleaning the 3.5 m x 3 m, 16th- century print. 

The project to conserve Dürer’s Triumphal Arch reaches the next stage. Ivor Kerslake and Joanna Russel lset out to take a series of high-resolution images as well as infrared and ultraviolet imaging to reveal information about the work, vital for the next stage in the conservation process.

Clarissa von Spee explains the significance of German expressionist sculptor Ernst Barlach’s most important work, Der Schwebende (The Hovering),  and how the work managed to survive the First World War. On display as part of the exhibition Germany: memories of a nation, 16 October 2014 to 25 January 2015.   

Art historian Frances Carey looks at the life of German artist Käthe Kollwitz and the inspiration behind some of her works. A selection of Käthe Kollwitz’s works will be on display in the exhibition Germany: memories of a nation running 16 October 2014 – 25 January 2015.

Joachim Whaley discusses the longest lived political system in German history, the Holy Roman Empire from its origin in Charlemagne’s Frankish realm to its destruction by Napoleon.

Alexandra Fletcher discusses some of the ethical and practical issues associated with caring for and displaying human remains in the British Museum collection.

The intricate designs of Anglo-Saxon brooches, buckles, and other pieces of decorative metalwork are not just pretty decoration, they have multi-layered symbolic meanings and tell stories. Curator Rosie Weetch and Illustrator Craig Williams team up to decode some key Anglo-Saxon objects.

As a reaction to the sinking of RMS Lusitania by torpedo on 7 May 1915, German artist Karl Goetz produced the Lusitania medal satirising the subject. Henry Flynn explains the symbolism behind the medal which will be on display in The other side of the medal: how Germany saw the First World War.

Judith Jesch, Professor of Viking Studies at the University of Nottingham discusses viking women, warriors and Valkyries.

Although Viking graves took certain standardised forms – in the detail of the rituals it was clear that almost every funeral was different giving the deceased a personalised send-off. Neil Price looks at the complexity of one particular burial site at Kaupang, Norway.

Martin Findell is a Research Associate at the University of Leicester. He is particularly interested in the problems of understanding the relationship between spelling and sound change in the early Germanic languages, and in the uses and abuses of runes in the twentieth and twenty-first centuries. In this blog Martin discusses some of the runic writing on display in Vikings: life and legend.

Gareth Williams is working on the BP exhibition Vikings: life and legend, the largest Viking exhibition in the UK for over 30 years. In this blog Gareth discuses what we can expect from the exhibition along with the challenges of incorporating a 37 metre-long Viking ship into the new Sainsbury Exhibitions Gallery.

Tom Williams explains how objects in the new exhibition, the BP exhibition Vikings: life and legend indicate that the Vikings were working their way up and down the river systems of Russia and Ukraine more than a thousand years ago.

In May 2013 a team of scientists led by the British Museum, Natural History Museum and Queen Mary University of London discovered a series of footprints left by early humans in ancient estuary mud over 800,000 years ago at Happisburgh, Norfolk. Nicholas Ashton, Curator of Palaeolithic and Mesolithic collections at the British Museum has been working on the Happisburgh Palaeolithic excavations.

At over 37 metres long, Roskilde 6, the highlight of the BP exhibition Vikings: life and legend is the longest Viking ship ever discovered. In this blog Tom Williams talks us through the challenges of installation of this nature.

A free exhibition, opening on 24 May 2012 at the British Museum will celebrate the epic story of the horse – a journey of 5,000 years that has revolutionised human history. Nigel Tallis gives us a preview of what to expect.

In 2011 when only a few months earlier a hoard of over 90 coins and hacksilver was discovered in Barrow-in-Furness, Cumbria, a second discovery of a Viking silver hoard was unearthed in Silverdale, Lancashire. Ian Richardson talks about what happened when the two Viking silver hoards were discovered. 

Lesley Fitton shares some exciting news around one of the latest additions to The Cycladic Gallery an extremely rare marble figurine of the ‘hunter-warrior’ type.