British Museum blog

Progress in the cemeteries

Michaela Binder, Durham University

After a somewhat disappointing first week in Cemetery C during which we only found heavily disturbed graves, our luck turned last week. We discovered two largely intact graves which provide us with important insights into the funerary customs of the people living at Amara West.

Excavations in Cemetery C

One of these intact graves is G216. As with most of the other graves excavated in Cemetery C it is of the niche grave type, in which the body of the deceased is placed in a narrow niche on the bottom of a rectangular shaft.

With a length of 2.2 metres and a width of 1.2 metres, G216 is the largest niche discovered so far. In contrast, other graves found this week are very small, with just enough space to accommodate a small child burial.

G217: Niche grave for a child burial

While some of these graves were used for only one burial, G216 was re-used no less than five times. As the niche is only large enough to hold one body, the older burials were simply thrown out of the shaft – we found the remains loosely scattered within it.

The coffin inside the burial niche of G216

Only the latest burial was discovered intact within the burial niche, placed in a wooden coffin decorated with a fine layer of white plaster, painted with parallel red and black stripes. This coffin was not exclusively used for this individual – parts of an earlier burial were found on the bottom of it.

Ivory Bes amulet (F9459)

One of the most exciting finds of this grave so far is a finely-carved ivory amulet found within the jumble of human bones on the side of the coffin. The figurine represents Bes, the Egyptian household god.

Though Bes amulets are not an unusual thing to find in graves, this is a special one. Its body features all the elements of a typical Egyptian style, but its head is carved in an entirely different, presumably local, manner, which is more reminiscent of an African mask than an Egyptian god. This little amulet therefore nicely shows how imported religious iconography was combined with local cultural elements.

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Here @edoardofanfani captures the youthful look and friendly expression of this statue of Amenhotep III. The colossal limestone statue originally stood with hundreds of others in the temple of Amenhotep III, which was on the west bank of the River Nile near the ancient city of Thebes. 
Statues depicting the pharaoh often show him with his eyes appearing to look down on the viewer, and a slight smile emerging from his lips. He is wearing heavy makeup, with sweeping eyeliner that nearly touches the temples, and stylised eyebrows. Share your photos with us using #myBritishMuseum 
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#AncientEgypt #Sculpture #Statue #Pharaoh #Egypt #regram Opening in March 2017, our #AmericanDream exhibition presents the Museum’s outstanding collection of modern and contemporary American prints for the first time. These will be shown with important works from museums and private collections around the world.

From Andy Warhol, Jasper Johns and Robert Rauschenberg to Ed Ruscha, Kara Walker and Julie Mehretu – all boldly experimented with printmaking.  With over 200 works by almost 70 artists, trace the creative momentum of a superpower across six decades. Click the link in our bio to book your tickets now! 
Edward Ruscha (b. 1937), Made in California. Colour lithograph, 1971. © Ed Ruscha. Reproduced by permission of the artist.
#print #printmaking #art #🇺🇸 Taking inspiration from the world around them – billboard advertising, politics, Hollywood, and household objects – American artists created highly original prints to rival their paintings and sculptures. #Printmaking brought their work to a much wider and more diverse audience.

Many of these works also address the deep divisions in society that continue to resonate with us today. This screenprint by Andy Warhol was commissioned by the Democratic Party for the 1972 presidential campaign. Instead of portraying the Democratic candidate McGovern, Warhol chose to represent his opponent Richard Nixon. He appropriated the image from the cover of Newsweek magazine, using the colours from Nixon's wife's outfit for his face, creating a demonic look.

See this new acquisition by the Museum, and many other extraordinary works in our #AmericanDream exhibition, opening March 2017. Click the link in our bio for more info.

Andy Warhol (1928-1987), Vote McGovern. Screenprint, 1972. © 2016 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London.
#art #Warhol #AndyWarhol #🇺🇸 #print #Democrats #politics America. Land of the free. Home of the brave...
We are delighted to announce our #AmericanDream exhibition – opening in March 2017!

The past six decades have been among the most dynamic and turbulent in US history, from JFK’s assassination, Apollo 11 and Vietnam to the AIDS crisis, racism and gender politics. Responding to the changing times, American artists produced prints unprecedented in their scale and ambition. 
Experience this extraordinary history in ‘The American Dream: pop to the present’. This major new exhibition is sponsored by Morgan Stanley and supported by the Terra Foundation for American art. Click the link in our bio to book your tickets now.

Jasper Johns (b. 1930), Flags I. Screenprint, 1973. Collection of Johanna and Leslie Garfield. © Jasper Johns/VAGA, New York/DACS, London 2016. © Tom Powel Imaging.
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