British Museum blog

Have we found Fred and Nellie?

engraved coinBen Alsop, Curator, British Museum

Silver George V shilling re-engraved as a love token, 1916 (J.3283)

Silver George V shilling re-engraved as a love token, 1916 (J.3283)

In February I wrote a post about a First World War love token which we have in the collection of the Department of Coins and Medals. The token, a silver shilling of King George V, had been engraved to carry the simple message ‘FROM FRED TO NELLIE FRANCE 1916’. In the post I wondered who Fred and Nellie were. Had Fred fought at the Somme and if so, did he return home?

These questions I raised far more in hope than in the expectation of anyone suggesting possible answers. The rather limited information that we had about the object, that it had been donated to the Museum in 1966 by Miss Carvell from Hampstead in London, was not a particularly promising place from which to start any investigation.

Fred and Nellie Sharp, 5 August 1916. Photo with kind permission of Joy

Fred and Nellie Sharp, 5 August 1916. Photo with kind permission of Joy

Imagine my surprise when a few days after the post was published, the Museum received an email from a lady who had seen an image of the token on the Museum’s Facebook page and felt compelled to write. In subsequent emails Joy explained that her grandfather Frederick Sharp, known as Fred, had married a lady called Ellen Alden (who everyone knew as Nellie) on 5 August 1916 at the John Street Baptist Church in Holborn. Frederick Sharp had been called up in 1916 and married Nellie just before he left for France with the King’s Royal Rifle Corps. In a photograph taken on their wedding day you can see the newly married couple, Fred in his army uniform and Nellie seated by his side.

Fred and Nellie with their three children, date unknown. Photo with kind permission of Joy

Fred and Nellie with their three children, date unknown. Photo with kind permission of Joy

The King’s Royal Rifle Corps had a total of fourteen battalions engaged at the Battle of the Somme from July 1916 until its end in November that year. So it is possible that Fred did indeed see action in the battle. Thankfully he returned home to be reunited with Nellie and the couple had three children, eventually ending up living in Friern Barnet in North London. Nellie died in 1966, the year the token entered the Museum’s collection as a donation from Miss Margaret Mary Carvell, who lived at 30 Daleham Gardens, Hampstead. Margaret Carvell was evidently interested in coins as she had joined the British Numismatic Society in November 1966 but died just two years later.

So far we haven’t been able to make the link between Margaret Carvell and Fred and Nellie, and maybe we never will. While it’s unlikely we can ever be completely certain that this love token was a gift from Frederick Sharp to his wife Ellen, the evidence kindly put forward by Joy is compelling. I for one hope that the couple shown in the photograph is the one we are seeking and that it was Fred, whom Joy described as ‘a lovely kind man’, who gave the simple token of affection to Nellie before he left to go to war.

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In 1966 the Beatles were number one with Paperback Writer, Lyndon Johnson was asked to ‘get out’ of Vietnam, and a gallon of gas cost $0.32. American artist Ed Ruscha travelled 1,400 miles on Route 66 from LA to his hometown of Oklahoma, recording the gas stations dotted along the road. Influenced by graphic design and advertising, he transformed everyday images like this into dramatic works of art.

See this work on loan from @themuseumofmodernart in our #AmericanDream exhibition – follow the link in our bio to book tickets.

Edward Ruscha (b. 1937), Standard Station. Screenprint, 1966. @themuseumofmodernart New York/Scala, Florence. © Ed Ruscha. Reproduced by permission of the artist.

#EdRuscha #Route66 #USA #graphicdesign #advertising #print #art #LA #1960s #westcoast #printmaking Today marks 30 years since the death of Andy Warhol, hailed as the ‘Pope of pop art’. One of the most recognisable images in the world, Warhol’s Marilyn series remains sensational after five decades. This series of 10 individual screenprints, made in 1967, is on loan from @tate for our #AmericanDream exhibition – opening 9 March. Warhol used a cropped and enlarged publicity still as the source image for this work, taken by photographer Gene Kornman for Monroe’s 1953 film ‘Niagara’. Behind the glamour and fame of the Marilyn series lay tragedy. Recently divorced from playwright Arthur Miller, Marilyn had taken her own life with a drug overdose in August 1962. Warhol’s depiction of the alluring screen goddess became a memorial to a fallen idol.

See some of Warhol’s most iconic works in our major exhibition. Follow the link in our bio to find out more.

#Warhol #AndyWarhol #PopArt #1960s #USA #art #MarilynMonroe Sweets, ice creams and cakes feature heavily in the sugary, colourful work of American artist Wayne Thiebaud. This piece is called ‘Gumball Machine’ and was made in 1970. His works are characterised by his focus on mass-produced objects.

You can see some of his prints in our upcoming #AmericanDream exhibition – book your tickets by following the link in our bio.

Wayne Thiebaud (b. 1920), Gumball Machine. Colour linocut, 1970. © Wayne Thiebaud/DACS, London/VAGA, New York 2016.
#WayneThiebaud #popart #art #Americanart #🍭 #🍬 This beaded #wedding blanket was made around the 1950s in South Africa by a Ndebele artist. Under apartheid the Ndebele were forced to live in ethnically defined rural reserves. In response to losing their ancestral lands, Ndebele women began to make distinctive beadwork for significant events.

They also adapted these designs and painted them on their homesteads, to include ever more intricate and colourful patterns. As a form of protest, these artworks had the effect of making Ndebele identity highly visible at a time when the government was attempting to make them effectively invisible through rural segregation.

See this beautiful beaded blanket in our special exhibition #SouthAfricanArt, which traces the history of this nation over 100,000 years. Follow the link in our bio to book your tickets before the exhibition closes on 26 Feb.
#SouthAfrica #history #design #beads #Ndebele #blanket In 19th-century southern Africa, people wore different designs, colours and materials to communicate their power, wealth, religious beliefs and cultural community.

This beautiful beaded necklace is made of brass, glass and fibre, and is known as an ingqosha, a traditional necklace worn by the Xhosa people. Young Xhosa women and men traditionally wear the ingqosha at weddings and ceremonial dances.

During apartheid, necklace designs from the 1800s were used as a form of political and cultural protest. While on the run in 1961, Nelson Mandela was photographed wearing a beaded collar, and after his capture his then wife Winnie reportedly chose one for him to wear during sentencing. By wearing this necklace Mandela made a powerful cultural and political statement about his Xhosa ancestry.

Learn more about the fascinating history of this nation in our #SouthAfricanArt exhibition, closing 26 Feb 2017. Follow the link in our bio to find out more.
#SouthAfrica #necklace #jewellery #beads #history #art #xhosa We love this great shot of Esther Mahlangu’s stunning BMW Art Car taken by @bitemespice. It’s currently in the Great Court as part of our #SouthAfricanArt exhibition, charting the fascinating history of a nation through its art. The car was painted in 1991 to mark the end of apartheid in South Africa, and the brightly coloured geometric shapes are inspired by the traditional house-painting designs of the Ndebele people.

Mahlangu’s Art Car combines tradition and history with contemporary art and politics; themes  that are explored in our #SouthAfricanArt exhibition. Catch it before it ends on 26 February 2017 – you can book tickets by following the link in our bio.
#SouthAfrica #mybritishmuseum #britishmuseum #regram #repost
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