British Museum blog

Installing Shakespeare: staging the world


Becky Allen, Project Curator: Shakespeare

The three-week installation of the British Museum’s major new exhibition Shakespeare: staging the world has just finished, and the Reading Room has been transformed.

With over 190 objects, and 38 lenders, there has been a lot of work to do. One of the most impressive aspects of the experience has been witnessing how many colleagues, both within and outside the Museum, have come together to bring the exhibition to life. It is a real team effort to create an exhibition on this scale, and it calls on skills and experience of all kinds, from conservation specialists to lighting technicians, heavy object handlers to designers.

The exhibition features a huge range of objects, including coins, armour, textiles, sculpture and much more. One of the most exciting, and perhaps surprising, aspects of the show is how many paintings it includes – 21 in total from many different lenders. For me, watching the paintings being hung has been a highlight of the installation. One of my favourites is the enormous 1611 bird’s-eye view of Venice from Eton College. The painting has only travelled twice: first from Venice to Eton, where it was hung in 1636, and then from Eton to the British Museum.

As you can see from the photograph, hanging the painting safely required careful coordination and teamwork. Venice is one of Shakespeare’s most important imagined places, and is often the setting for his brilliant examinations of outsiders in society – Shylock the Jew and Othello, the ‘moor of Venice’, being powerful examples. The painting is populated with figures and really brings the Venice section to life – it’s a great pleasure seeing it each morning.

Museum assistants and specialist art handlers hanging the ‘Bird’s-eye view of Venice’ by Odoardo Fialetti, 1611. (Eton College, Windsor)

Another remarkable painting comes from the Pinacoteca Nazionale in Siena. It is a beautiful portrait of Queen Elizabeth I known as ‘The Sieve Portrait’, by Quentin Metsys the Younger, dated 1583. In the portrait Elizabeth holds a sieve, symbolic of chastity. This association comes originally from the story of the Roman Vestal Virgin Tuccia who proved her own virginity by carrying water in a sieve. It’s a beautiful and striking painting which makes a real statement about the presence and theatricality of Elizabeth, queen at the time Shakespeare moved to London and began to write and act.

Museum assistants from the British Museum hanging ‘The Sieve Portrait’ by Quentyn Metsys the Younger, 1583. (Pinacoteca Nazionale, Siena)

Shakespeare: staging the world is open from 19 July to 25 November 2012.

The exhibition is supported by BP.
Part of the World Shakespeare Festival and London 2012 Festival.

Tweet using #ShakespeareExhibition and @britishmuseum

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St Baudime reliquary arrives at the Museum

By James Robinson, Exhibition Curator

Today the installation began in earnest with the placing of one of the most significant and compelling reliquaries of the exhibition. The statue reliquary of St Baudime had never left France before its inclusion in the Treasures of Heaven exhibition. It’s normally kept in the church of St Nectaire deep in the Auvergne in the centre of France where, sadly, relatively few people have seen it.

Statue reliquary of St Baudime in the church of St Nectair, Auvergne, France

Imagine the excitement when the packing case was opened and the eyes of this exceptional figure were exposed again to the light. The eyes were designed to hold the gaze of the onlooker and still command attention today. Made of ivory, horn and wax, they are slightly mobile and move in their sockets – a miracle of medieval technology. The beautifully expressive hands were made to extend benediction and welcome. The right hand may have once held a phial of the saint’s blood. Despite its remarkable delicacy, its solid walnut core makes it extraordinarily heavy and it required concentrated effort to place it safely in its display case.

The reliquary arrives at the British Museum and is carefully removed from its crate and prepared for conservation work.

Although this reliquary of St Baudime has always remained in France and has stirred rarely from the church it was made to furnish, it has experienced its fair share of trauma. The settings for the jewels that once adorned the figure are now almost all empty, robbed of their riches at the time of the French Revolution. Later, the reliquary itself was stolen by the infamous Thomas brothers in May 1907 but was recovered in a wine cellar!

A slideshow showing every step of the installation is now online.

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Treasures of Heaven: saints, relics and devotion in medieval Europe opens on 23 June 2011. Book tickets online or become a Member and gain free entry to all special exhibitions.

Treasures of Heaven: saints relics and devotion in medieval Europe is sponsored by John Studzinski.

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We love this brilliant sketch of the Great Court by @simoneridyard! It captures the subtle blues and greys of the inside of the space. The Museum has always played host to artists throughout its history, and we still see people sketching their favourite objects or views inside the Museum (although most people take a photo with their phones now!). Have you made drawings while visiting any museums or galleries? We’d love to see any art made in the Museum – tag your photos with the location and we’ll regram our favourites! #BritishMuseum #London #regram #repost #museum #art #sketch #sketchingfromlife The Lion of Knidos looks very regal in this super photo by @nin_uiu. The Lion is named after the place where it used to stand, an ancient Greek city in modern-day Turkey. A colossal statue weighing six tons, it was part of a funerary monument that stood on a headland above a cliff. The lion’s eyes were probably inlaid with glass, and this may have aided sailors navigating the rugged coastline – they could use the reflection of the eyes to determine where the coast was. The sculpture is made from one piece of marble, but it’s not known exactly when it was made and estimates range from 394 BC to 175 BC. #BritishMuseum #history #AncientGreece #AncientGreek #lion #sculpture #statue #London There have been some beautiful sunsets in London recently – we love the way @wiserain23 has captured the streaks in the sky over the Museum in this shot. The orange and peach colours in the sky have been spectacular during this spell of cold, crisp but sunny weather. You can see the Museum lit up like this if you visit during our Friday late opening – you can browse the galleries until 20.30. Remember to share your photos with us by using the British Museum location tag – we love seeing our visitors’ photos, so get snapping! #BritishMuseum #London #sunset #sky #lights #evening #regram #repost Don’t forget to look up! ☝🏼 The triangular feature above the columns of the Museum’s main entrance is called a pediment. Originally it had a bright blue background and the statues were all painted white. 
The sculptures in the pediment show the development of ‘mankind’ in eight stages – a very old-fashioned idea now, but it was designed and built in the 1850s. The left side shows the creation of man as he emerges from a rock as an ignorant being. He meets the next character, the Angel of Enlightenment who is holding the Lamp of Knowledge. From the lamp, man learns basic skills such as cultivating land and taming animals.

The next step in the progress of civilisation is for man to expand his knowledge and understanding. The following eight figures represent the subjects he must learn to do this – architecture and sculpture, painting and science, geometry and drama, and music and poetry. The final human figure, on the right, represents ‘educated man’. Learn more about the Museum’s architecture and its fascinating history in our new blog – follow the link in our bio! We’d love to hear what you think. 258 years ago we opened our doors to the public for the first time! The British Museum is the world’s oldest national public museum, founded in 1753. It was created to be free to all ‘studious and curious persons’ and it’s still free today, but a few things have changed…

Did you know that the @natural_history_museum used to be part of the British Museum? The Museum’s founder Sir Hans Sloane had collected a vast number of natural history specimens, and these were part of the Museum’s collection for over a hundred years. In the 1880s, with space in Bloomsbury at a premium, it was agreed that these collections should move to a new site in South Kensington.

This photograph by Frederick York shows a mastodon skeleton on display here in Bloomsbury, before it moved to South Kensington in the 1880s.

Explore more of the Museum’s history on our new blog – follow the link in our bio and let us know what you think! The British Museum opened to the public #onthisday in 1759, the first national public museum in the world! 🎉

The Museum was founded on the death of Sir Hans Sloane, who bequeathed his collection of 71,000 objects to the nation. The British Museum Act gained royal assent in June 1753 (which makes us older than the USA!). The original collection featured 1,125 ‘things relating to the customs of ancient times’, 5,447 insects, a herbarium (a collection of dried plants), 23,000 coins and medals and 50,000 books, prints and manuscripts.

This photograph of the front of the Museum was taken in 1857 by Roger Fenton, the Museum’s first official photographer.

To mark this anniversary, the Museum is launching a blog where you can find all kinds of interesting articles – things you didn’t know about the Museum, curators’ insights, behind-the-scenes stories and more. Follow the link in our bio – we’d love to know what you think!
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