British Museum blog

Treasures of Heaven

James Robinson, Exhibition Curator

Next month, over 120 sacred relics (the physical remains or belongings of saints) will begin arriving at the British Museum from across Europe and the USA for the forthcoming exhibition Treasures of Heaven: saints, relics and devotion in medieval Europe. As curator of the exhibition, I will be one of the first to see these amazing objects coming out of their travelling cases – and I can’t wait.

But why am I so excited about seeing a bunch of old bones? In the medieval period the relics of saints were enshrined in the most precious and valuable materials. These containers, known as reliquaries, were made by the finest craftsman of the age. Gleaming gemstones and luminous enamels were placed in sublime combinations with precious metals to speak to the viewer of the reliquaries sacred contents. It is these containers that will be showcased in the exhibition.

Medieval Christians believed that the physical remains of saints provided a tangible link to the divine. Saints sat beside God in heaven and could be petitioned to ask God for help. If I were suffering from plague in the Middle Ages I would want to pray to and venerate the relics of St Blaise, an expert in healing the plague. St Blaise might then ask God to help me and I might be miraculously healed. Some Christians hold similar beliefs today. In 2009 over 90,000 pilgrims came to Westminster Cathedral in London to venerate the travelling relics of French nun St Thérese of Lisieux.

Reliquary bust of an unknown female saint, probably a companion
of St Ursula. South Netherlandish, c. 1520–1530.
© The Metropolitan Museum of Art, New York.

In researching this exhibition we have discovered some extraordinary medieval legends. One is the story of the English princess Ursula who before her marriage went on pilgrimage to venerate relics in the Holy Land. She never got there and was captured and martyred along with her 11,000 virgin travelling companions by pagans in Cologne. This captivating reliquary made from delicately painted wood would once have contained the skull of one her companions.

We still have a lot of work to do before the exhibition opens but I couldn’t resist giving a sneak peak at these unusual stories and astounding objects.

If you would like to leave a comment click on the title

Treasures of Heaven: saints, relics and devotion in medieval Europe opens on 23 June 2011. Book tickets online or become a Member and gain free entry to all special exhibitions.

Treasures of Heaven: saints relics and devotion in medieval Europe is sponsored by John Studzinski.

Filed under: Exhibitions, Treasures of Heaven, , ,

Receive notifications of new posts by email.

Join 16,486 other followers

Categories

Follow @britishmuseum on Twitter

British Museum on Instagram

In 1966 the Beatles were number one with Paperback Writer, Lyndon Johnson was asked to ‘get out’ of Vietnam, and a gallon of gas cost $0.32. American artist Ed Ruscha travelled 1,400 miles on Route 66 from LA to his hometown of Oklahoma, recording the gas stations dotted along the road. Influenced by graphic design and advertising, he transformed everyday images like this into dramatic works of art.

See this work on loan from @themuseumofmodernart in our #AmericanDream exhibition – follow the link in our bio to book tickets.

Edward Ruscha (b. 1937), Standard Station. Screenprint, 1966. @themuseumofmodernart New York/Scala, Florence. © Ed Ruscha. Reproduced by permission of the artist.

#EdRuscha #Route66 #USA #graphicdesign #advertising #print #art #LA #1960s #westcoast #printmaking Today marks 30 years since the death of Andy Warhol, hailed as the ‘Pope of pop art’. One of the most recognisable images in the world, Warhol’s Marilyn series remains sensational after five decades. This series of 10 individual screenprints, made in 1967, is on loan from @tate for our #AmericanDream exhibition – opening 9 March. Warhol used a cropped and enlarged publicity still as the source image for this work, taken by photographer Gene Kornman for Monroe’s 1953 film ‘Niagara’. Behind the glamour and fame of the Marilyn series lay tragedy. Recently divorced from playwright Arthur Miller, Marilyn had taken her own life with a drug overdose in August 1962. Warhol’s depiction of the alluring screen goddess became a memorial to a fallen idol.

See some of Warhol’s most iconic works in our major exhibition. Follow the link in our bio to find out more.

#Warhol #AndyWarhol #PopArt #1960s #USA #art #MarilynMonroe Sweets, ice creams and cakes feature heavily in the sugary, colourful work of American artist Wayne Thiebaud. This piece is called ‘Gumball Machine’ and was made in 1970. His works are characterised by his focus on mass-produced objects.

You can see some of his prints in our upcoming #AmericanDream exhibition – book your tickets by following the link in our bio.

Wayne Thiebaud (b. 1920), Gumball Machine. Colour linocut, 1970. © Wayne Thiebaud/DACS, London/VAGA, New York 2016.
#WayneThiebaud #popart #art #Americanart #🍭 #🍬 This beaded #wedding blanket was made around the 1950s in South Africa by a Ndebele artist. Under apartheid the Ndebele were forced to live in ethnically defined rural reserves. In response to losing their ancestral lands, Ndebele women began to make distinctive beadwork for significant events.

They also adapted these designs and painted them on their homesteads, to include ever more intricate and colourful patterns. As a form of protest, these artworks had the effect of making Ndebele identity highly visible at a time when the government was attempting to make them effectively invisible through rural segregation.

See this beautiful beaded blanket in our special exhibition #SouthAfricanArt, which traces the history of this nation over 100,000 years. Follow the link in our bio to book your tickets before the exhibition closes on 26 Feb.
#SouthAfrica #history #design #beads #Ndebele #blanket In 19th-century southern Africa, people wore different designs, colours and materials to communicate their power, wealth, religious beliefs and cultural community.

This beautiful beaded necklace is made of brass, glass and fibre, and is known as an ingqosha, a traditional necklace worn by the Xhosa people. Young Xhosa women and men traditionally wear the ingqosha at weddings and ceremonial dances.

During apartheid, necklace designs from the 1800s were used as a form of political and cultural protest. While on the run in 1961, Nelson Mandela was photographed wearing a beaded collar, and after his capture his then wife Winnie reportedly chose one for him to wear during sentencing. By wearing this necklace Mandela made a powerful cultural and political statement about his Xhosa ancestry.

Learn more about the fascinating history of this nation in our #SouthAfricanArt exhibition, closing 26 Feb 2017. Follow the link in our bio to find out more.
#SouthAfrica #necklace #jewellery #beads #history #art #xhosa We love this great shot of Esther Mahlangu’s stunning BMW Art Car taken by @bitemespice. It’s currently in the Great Court as part of our #SouthAfricanArt exhibition, charting the fascinating history of a nation through its art. The car was painted in 1991 to mark the end of apartheid in South Africa, and the brightly coloured geometric shapes are inspired by the traditional house-painting designs of the Ndebele people.

Mahlangu’s Art Car combines tradition and history with contemporary art and politics; themes  that are explored in our #SouthAfricanArt exhibition. Catch it before it ends on 26 February 2017 – you can book tickets by following the link in our bio.
#SouthAfrica #mybritishmuseum #britishmuseum #regram #repost
%d bloggers like this: