British Museum blog

Illustrating the discovery of the Mildenhall treasure

Mildenhall Great Dish Ralph Steadman, artist

Who knows when one ploughs a field what may be unearthed? This is what attracted me to the Roald Dahl story of the Mildenhall treasure.

Illustration of the discovery of the Mildenhall treasure. Images and text courtesy of Ralph Steadman

Illustration of the discovery of the Mildenhall treasure.

The ploughman, Gordon Butcher, was the lucky finder of the treasure that was unexpectedly revealed and now resides in the British Museum. When Roald Dahl first read the newspaper account of it, he called on Mr Butcher who at first was reluctant to talk to him as he thought he was just another reporter.

The Great dish from the Mildenhall treasure. Images and text courtesy of Ralph Steadman

The Great dish from the Mildenhall treasure.

Dahl assured Butcher that he was a short story writer and promised that he would sell the story to the US magazine The Saturday Evening Post. They would share the fee. Mr Butcher was delighted and wrote to tell him so on receipt of the cheque.

I got to know Liccy Dahl who allowed me to visit Roald’s small shed at the bottom of their garden and his writing chair that had been adapted to support the weakness in his back and which was still in place. I imagined him going there daily to write.

Illustration of the discovery of the Mildenhall treasure. Images and text courtesy of Ralph Steadman

Illustration of the discovery of the Mildenhall treasure.

I visited a local farm museum and sketched different pieces of farm machinery that would have been used at the time. I spent a few days at Mildenhall and its environs, including the museum, to capture how it would have been in the 1940s. It was important to give my drawings the authentic feeling for the flat Suffolk landscape and its inhabitants. Finally I went to see the Mildenhall treasure itself at the British Museum and was stunned by the richness and craftsmanship of the collection.

Images and text courtesy of Ralph Steadman

Silver service: fine dining in Roman Britain is on display at the British Museum
until 4 August 2013.

The Asahi Shimbun Displays

STEADman@77, a Ralph Steadman Retrospective, is on display at London’s Cartoon Museum until 21 July.

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In 1966 the Beatles were number one with Paperback Writer, Lyndon Johnson was asked to ‘get out’ of Vietnam, and a gallon of gas cost $0.32. American artist Ed Ruscha travelled 1,400 miles on Route 66 from LA to his hometown of Oklahoma, recording the gas stations dotted along the road. Influenced by graphic design and advertising, he transformed everyday images like this into dramatic works of art.

See this work on loan from @themuseumofmodernart in our #AmericanDream exhibition – follow the link in our bio to book tickets.

Edward Ruscha (b. 1937), Standard Station. Screenprint, 1966. @themuseumofmodernart New York/Scala, Florence. © Ed Ruscha. Reproduced by permission of the artist.

#EdRuscha #Route66 #USA #graphicdesign #advertising #print #art #LA #1960s #westcoast #printmaking Today marks 30 years since the death of Andy Warhol, hailed as the ‘Pope of pop art’. One of the most recognisable images in the world, Warhol’s Marilyn series remains sensational after five decades. This series of 10 individual screenprints, made in 1967, is on loan from @tate for our #AmericanDream exhibition – opening 9 March. Warhol used a cropped and enlarged publicity still as the source image for this work, taken by photographer Gene Kornman for Monroe’s 1953 film ‘Niagara’. Behind the glamour and fame of the Marilyn series lay tragedy. Recently divorced from playwright Arthur Miller, Marilyn had taken her own life with a drug overdose in August 1962. Warhol’s depiction of the alluring screen goddess became a memorial to a fallen idol.

See some of Warhol’s most iconic works in our major exhibition. Follow the link in our bio to find out more.

#Warhol #AndyWarhol #PopArt #1960s #USA #art #MarilynMonroe Sweets, ice creams and cakes feature heavily in the sugary, colourful work of American artist Wayne Thiebaud. This piece is called ‘Gumball Machine’ and was made in 1970. His works are characterised by his focus on mass-produced objects.

You can see some of his prints in our upcoming #AmericanDream exhibition – book your tickets by following the link in our bio.

Wayne Thiebaud (b. 1920), Gumball Machine. Colour linocut, 1970. © Wayne Thiebaud/DACS, London/VAGA, New York 2016.
#WayneThiebaud #popart #art #Americanart #🍭 #🍬 This beaded #wedding blanket was made around the 1950s in South Africa by a Ndebele artist. Under apartheid the Ndebele were forced to live in ethnically defined rural reserves. In response to losing their ancestral lands, Ndebele women began to make distinctive beadwork for significant events.

They also adapted these designs and painted them on their homesteads, to include ever more intricate and colourful patterns. As a form of protest, these artworks had the effect of making Ndebele identity highly visible at a time when the government was attempting to make them effectively invisible through rural segregation.

See this beautiful beaded blanket in our special exhibition #SouthAfricanArt, which traces the history of this nation over 100,000 years. Follow the link in our bio to book your tickets before the exhibition closes on 26 Feb.
#SouthAfrica #history #design #beads #Ndebele #blanket In 19th-century southern Africa, people wore different designs, colours and materials to communicate their power, wealth, religious beliefs and cultural community.

This beautiful beaded necklace is made of brass, glass and fibre, and is known as an ingqosha, a traditional necklace worn by the Xhosa people. Young Xhosa women and men traditionally wear the ingqosha at weddings and ceremonial dances.

During apartheid, necklace designs from the 1800s were used as a form of political and cultural protest. While on the run in 1961, Nelson Mandela was photographed wearing a beaded collar, and after his capture his then wife Winnie reportedly chose one for him to wear during sentencing. By wearing this necklace Mandela made a powerful cultural and political statement about his Xhosa ancestry.

Learn more about the fascinating history of this nation in our #SouthAfricanArt exhibition, closing 26 Feb 2017. Follow the link in our bio to find out more.
#SouthAfrica #necklace #jewellery #beads #history #art #xhosa We love this great shot of Esther Mahlangu’s stunning BMW Art Car taken by @bitemespice. It’s currently in the Great Court as part of our #SouthAfricanArt exhibition, charting the fascinating history of a nation through its art. The car was painted in 1991 to mark the end of apartheid in South Africa, and the brightly coloured geometric shapes are inspired by the traditional house-painting designs of the Ndebele people.

Mahlangu’s Art Car combines tradition and history with contemporary art and politics; themes  that are explored in our #SouthAfricanArt exhibition. Catch it before it ends on 26 February 2017 – you can book tickets by following the link in our bio.
#SouthAfrica #mybritishmuseum #britishmuseum #regram #repost
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