British Museum blog

Vikings Live on the horizon

Michael WoodMichael Wood, historian and broadcaster, presenter of Vikings Live from the British Museum

Hotfoot back from Shanghai where I am filming The Story of China, and now very excited about tomorrow night at the British Museum! We had a production meeting yesterday going through the script and suddenly the spine-tingling ‘liveness’ of it all felt very immediate. Vikings Live is now really coming together, with a series of very exciting scenes and a team of terrific contributors. Gareth, the exhibition curator, will even be sweltering in full Viking war-gear to explain the ethos of a warrior society. A string of inspiring experts will be your guides through the glitter and violence of the age, led by everybody’s favourite museum director / magician, Neil MacGregor, who has now turned his hand to A History of the Viking World in a Thousand Objects!

Vikings Live presenters, from left: Michael Wood, Bettany Hughes and Gareth Williams

Vikings Live presenters, from left: Michael Wood, Bettany Hughes and Gareth Williams

The British Museum has gathered some really amazing things together for this thrilling exhibition about the turbulent and spacious Viking epoch that extended roughly from the 750s to around 1100. Tomorrow night the cinema audience will be getting privileged close-up access to some wonderful artefacts: designer sword blades, fabulous gold torcs (neck-rings), looted treasure and a jaw-dropping display of headless skeletons of Vikings executed near Weymouth during the disastrous reign of Ethelred the Unready (979–1016) when the Danes conquered England.

An intimate detail? The piece that caught my eye (and I’ll be talking to Gareth about it tomorrow night) is a severed skull with filed teeth that were once coloured. An Arab account of Vikings on the Caspian Sea describes them tattooed and even wearing make-up – the men as well as the women. With their bling and braided hair they were definitely making a statement: Pirates of the Caribbean goes Viking?

At the heart of the exhibition is the wreck of the longest Viking ship ever found – sunk in Roskilde in around 1025, it was discovered in 1996. Only the lower part of the original boat survives, but the elegant curving steel frame over 120-feet long is a staggering sight, which will be explored with dramatic crane shots tomorrow night. Clinker-built, slim and very flexible, such ships travelled west to Greenland, south to Morocco and east to the Caspian Sea: there are even Viking graffiti on the Church of Hagia Sophia in Istanbul. Going further west, there was even a permanent Viking settlement in Newfoundland, and for all we know, some inquisitive summer voyager coasted down the shores of New England. Our own pirate explorers like Sir Francis Drake and Martin Frobisher would certainly have seen them as kindred spirits.

And what about the Vikings themselves? As you’ll see tomorrow night they had a very dark sense of humour – but they also had a very down-to-earth view of life which reminds me a lot of the kind of humour you can still hear in the Yorkshire Dales or the Cumbrian Fells: and not all of it in jest… Take these sample Viking ‘thoughts for the day’ from the famous wisdom text, the Havamal:

Don’t trust a blade until you have tested it in battle.
Don’t trust ice until you have walked across it
Don’t trust your wife until you’ve buried her….

No new men there then!

So there you are: courageous practical, realistic, cruel, curious – the Viking spirit took them across the western world between 750s and the late 11th century. That amazing age is our subject tomorrow night – experts and enthusiasts all. Speaking personally, I must say I am looking forward very much to presenting Vikings Live with Bettany Hughes, who I have known for years, but it’s the first time we have done an event together. What a time!

Michael Wood is one of the presenters of Vikings Live, at cinemas around the UK on Thursday 24 April.
Supported by BP

The BP exhibition Vikings: life and legend is at the British Museum until 22 June 2014.
Supported by BP
Organised by the British Museum, the National Museum of Denmark, and the Museum für Vor- und Frühgeschichte, Staatliche Museen zu Berlin

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The Vikings are coming…

The installation of Roskilde 6 at the British Museum. © Paul Raftery
Tom Williams, Project Curator: Vikings, British Museum

Several years ago I worked at the Tower of London. Spending long periods of time within a building of such age, I would often start to wonder about how the area would have looked before the castle was built. Every morning I would pass the remains of Roman walls at Tower Bridge station, walls that were repaired and refortified by King Alfred the Great in response to the very real threat of Viking raids from the river. Blotting out the great hulk of HMS Belfast, Tower Bridge and the modern office blocks that now crowd the banks, I would try to imagine the awe and the terror that a Londoner would have felt a thousand years ago, standing on the city walls, watching the carved and gilded prows of dragon ships silently gliding up the Thames. Viking fleets and armies raided and besieged the city on numerous occasions, and the river has given up dozens of weapons that might have ended up there as a result of those conflicts.

Iron axe-head found in the Thames at Hammersmith, Viking, 10th-11th century (1909,0626.8)

Iron axe-head found in the Thames at Hammersmith, Viking, 10th-11th century (1909,0626.8)

Exactly 1000 years ago, in January 1014, people living in England would have been looking to the year ahead with a great deal of uncertainty. A Danish Viking, Svein Forkbeard, sat on the English throne. He had taken it by force only a few weeks previously, having forced the submission of the English nobility and towns. He would die, suddenly, on the 3rd of February. But a fleet of Danish ships still lay menacingly off the English coast, and on board one of those ships was Svein’s son, Cnut, later to rule England as part of the greatest north sea empire the world would ever know.

This January, a Danish warship – Roskilde 6 – has returned to England and has taken up residence in the new Sainsbury Exhibitions Gallery at the British Museum, my current place of work. Happily, the dark days of the eleventh century are behind us, and the team from the National Museum of Denmark (NMD) who accompanied the ship to London have not (so far) demanded any tribute or burned any villages. In fact, getting the ship here has been part of a long period of close collaboration between the BM and the NMD (and Berlin State Museums, where Roskilde 6 will head next on its travels).

© National Museum of Denmark (Nationalmuseet)

© National Museum of Denmark (Nationalmuseet)

The Danish team of conservators and technicians, led by Kristiane Straetkvern, have been responsible for the conservation and analysis of the surviving timbers of Roskilde 6 (approx. 20% survives of the original ship), and for constructing the extraordinary stainless steel frame in which the timbers are displayed. This is a breathtaking work of modern design in its own right. The frame has been precision engineered in dozens of individual pieces which can be loaded into a single container for shipment and reassembled under the expert handling of the NMD’s installation team. The timbers are packed flat in their own climate controlled container.

The installation of Roskilde 6 at the British Museum. © Paul Raftery

The installation of Roskilde 6 at the British Museum. © Paul Raftery

The installation of Roskilde 6 at the British Museum

The installation of Roskilde 6 at the British Museum

The finished installation is a wonderful marriage of modern Scandinavian design and engineering with one of the greatest technological achievements of the Viking Age: at over 37 metres long, Roskilde 6 is the longest Viking ship ever discovered and would have been massive even by the standards of around AD 1025, its probable date of construction. It would have taken huge amounts of manpower and raw materials to construct the ship, resources only available to the most powerful of northern rulers. It may even have been built by Cnut himself…

The BP exhibition Vikings: life and legend opens at the British Museum on 6 March 2014.
Supported by BP
Organised by the British Museum, the National Museum of Denmark, and the Museum für Vor- und Frühgeschichte, Staatliche Museen zu Berlin
Tweet using #VikingExhibition and @britishmuseum

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Here @edoardofanfani captures the youthful look and friendly expression of this statue of Amenhotep III. The colossal limestone statue originally stood with hundreds of others in the temple of Amenhotep III, which was on the west bank of the River Nile near the ancient city of Thebes. 
Statues depicting the pharaoh often show him with his eyes appearing to look down on the viewer, and a slight smile emerging from his lips. He is wearing heavy makeup, with sweeping eyeliner that nearly touches the temples, and stylised eyebrows. Share your photos with us using #myBritishMuseum 
#AncientEgypt #Sculpture #Statue #Pharaoh #Egypt #eyebrowsonfleek This great photo by @comertcomi shows one of ancient Egypt’s most highly respected animals. Cats were associated with the goddess Bastet and she is often represented as a domestic cat. This statue is a particularly fine example, with gold rings and silver decoration. The collar also contains a silver wedjat-eye and sun-disk which are protective symbols. It also has a scarab on its head – scarabs were associated with rebirth in ancient Egypt. The eyes were perhaps originally inlaid with glass or stones. 
Share your photos with us using #myBritishMuseum
#AncientEgypt #Sculpture #Statue #Cat #Egypt #🐱 #catsofinstagram #regram #repost This week we’re focusing on Egyptian statues and sculpture at the Museum. This great shot by @sisterofpopculture shows the majestic statue of Ramesses II. Made of pink and grey granite, the sculptor has skilfully used the natural colours in the stone to suggest the difference between the face and body. 
This colossal statue was originally part of a pair that stood outside the Ramesseum (the pharaoh’s huge memorial temple). He is also known as ‘Ramesses the Great’ – he ruled for 66 years and his influence reached to the furthest corners of the realm. 
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#AncientEgypt #Sculpture #Statue #Pharaoh #Egypt #regram Opening in March 2017, our #AmericanDream exhibition presents the Museum’s outstanding collection of modern and contemporary American prints for the first time. These will be shown with important works from museums and private collections around the world.

From Andy Warhol, Jasper Johns and Robert Rauschenberg to Ed Ruscha, Kara Walker and Julie Mehretu – all boldly experimented with printmaking.  With over 200 works by almost 70 artists, trace the creative momentum of a superpower across six decades. Click the link in our bio to book your tickets now! 
Edward Ruscha (b. 1937), Made in California. Colour lithograph, 1971. © Ed Ruscha. Reproduced by permission of the artist.
#print #printmaking #art #🇺🇸 Taking inspiration from the world around them – billboard advertising, politics, Hollywood, and household objects – American artists created highly original prints to rival their paintings and sculptures. #Printmaking brought their work to a much wider and more diverse audience.

Many of these works also address the deep divisions in society that continue to resonate with us today. This screenprint by Andy Warhol was commissioned by the Democratic Party for the 1972 presidential campaign. Instead of portraying the Democratic candidate McGovern, Warhol chose to represent his opponent Richard Nixon. He appropriated the image from the cover of Newsweek magazine, using the colours from Nixon's wife's outfit for his face, creating a demonic look.

See this new acquisition by the Museum, and many other extraordinary works in our #AmericanDream exhibition, opening March 2017. Click the link in our bio for more info.

Andy Warhol (1928-1987), Vote McGovern. Screenprint, 1972. © 2016 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London.
#art #Warhol #AndyWarhol #🇺🇸 #print #Democrats #politics America. Land of the free. Home of the brave...
We are delighted to announce our #AmericanDream exhibition – opening in March 2017!

The past six decades have been among the most dynamic and turbulent in US history, from JFK’s assassination, Apollo 11 and Vietnam to the AIDS crisis, racism and gender politics. Responding to the changing times, American artists produced prints unprecedented in their scale and ambition. 
Experience this extraordinary history in ‘The American Dream: pop to the present’. This major new exhibition is sponsored by Morgan Stanley and supported by the Terra Foundation for American art. Click the link in our bio to book your tickets now.

Jasper Johns (b. 1930), Flags I. Screenprint, 1973. Collection of Johanna and Leslie Garfield. © Jasper Johns/VAGA, New York/DACS, London 2016. © Tom Powel Imaging.
#🇺🇸 #art #JasperJohns #printmaking
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