Valentina Marabini, British Museum
The conservation studio at Shanghai Museum is often asked to conserve paintings for other Museums, which has given me the opportunity to observe the staff here working on a number of different, challenging objects.
I was kindly invited to join the conservators on a trip to the Xiamen Museum to return 15 conserved paintings and collect 10 new paintings in need of conservation. I was fortunate to be able to see the Xiamen Museum paintings before conservation – in quite poor condition and to follow the conservation assessments.
An international conference on paper conservation across East Asia that I went to in December gave me an opportunity to learn more about the spread of expertise across the region in greater detail.
The conference took place in Gansu province, Lanzhou. Its theme was the research and conservation of paper from the Silk Road. The first gathering of this conference took place in Beijing in 2006, and was followed by a second and third event in Japan and Korea respectively.
This symposium was held by Unesco, the Chinese Academy of Cultural heritage, Gansu Provincial Museum and Gansu Archaeology research Institute, and united conservators from the five Asian countries of China, Japan, North and South Korea and Mongolia to share and discuss the conservation of paper relics.
On this occasion particular focus was put on the different techniques used in traditional paper-making in each country, and modern solutions for preserving the region’s paper heritage were presented by the various expert guests. A special exhibition also gave me a chance to see unearthed paper relics from the Silk Road itself.
Back in hectic Shanghai, the environment in which I work is unique with an intense daily rhythm of tasks. The experience of learning from the wonderful professionals in this field really is a privilege.